Announcements

Friday-Saturday 1-2, May 2020. Sponsored by the Canadian Centre for Scholarship and the Christian Faith

Hollywood’s impact and influence should not be underestimated: It’s a $40 billion annual business! Hollywood may be largely responsible for shaping who we are as individuals and a society—including what our beliefs and values are. Hollywood is neither morally nor politically neutral. Movies affect us emotionally long before we have thought it through—and all kinds of
philosophical ideas and values are smuggled in by them—while we’re enjoying some escape from the real world. The use of religious themes, ideas and imagery—unhinged from their traditional mooring—is also pervasive. The Canadian Centre for Scholarship and the Christian Faith at Concordia University of Edmonton cordially invites you to our ninth annual conference. The theme for 2020 is Film, Philosophy and Religion.
The keynote speaker is Dr Adam Barkman who is Professor of Philosophy at Redeemer University College. He is the co-editor of Lexington’s book series Critical Companions to Contemporary Directors. He has authored five books and is the co-editor of six books, including The Philosophy of Ang Lee, The Culture and Philosophy of Ridley Scott, A Critical Companion to Tim Burton, A Critical Companion to James Cameron and A Critical Companion to Steven Spielberg. His keynote is entitled “Ridley Scott: Film, Philosophy and Religion”.

Call for Papers and Presentations 

along the lines of the theme of Film, Philosophy and Religion
may be approached interdisciplinarily from the Humanities and Social Sciences and from the subdisciplines of Philosophy, Theology, Psychology, Sociology, Culture, English Literature, Fine Art and Ethics; though this list is not intended to be restrictive. For guidelines and submissions go http://www.ccscf.org/conference/artwork_and_paper_proposals/ . The deadline for proposals is
Thursday 16th April 2020. Vernon Press will be publishing the proceedings of this conference.

Scholars who want their original unpublished papers in this book must submit them for adjudication by 31 st July 2020 to the editor Dr bill.anderson at concordia.ab.ca . Scholars need not present at the conference to
submit their papers for consideration.

Register http://www.ccscf.org/conference/ .
Student Grants to attend free http://www.ccscf.org/conference/grant/ .

Call for Proposals

Lexington Books’ Politics, Literature, and Film series is actively seeking proposals for academic works that fit the description below: 

This interdisciplinary series examines the intersection of politics with literature and/or film. The series is receptive to works that use a variety of methodological approaches, focus on any period from antiquity to the present, and situate their analysis in national, comparative, or global contexts. Politics, Literature, and Film seeks to be truly interdisciplinary by including authors from all the social sciences and humanities, such as political science, sociology, psychology, literature, philosophy, history, religious studies, and law. The series is open to both American and non-American literature and film. By putting forth bold and innovative ideas that appeal to a broad range of interests, the series aims to enrich our conversations about literature, film, and their relationship to politics.

All manuscripts will be double-blind peer-reviewed. Once the manuscript has gone into production, all costs will be covered by Lexington Books. All titles are released first as hardcover and ebooks and later as paperbacks (usually within 18 months). Titles available as paperback become available as a free exam copy for any professor considering adoption of the book for their course.

The primary market of Lexington Books is the academic library market, with the objective that their books will remain on library bookshelves and databases for decades to inform current and future scholars. Lexington attends most major disciplinary conferences as well as regional ones. For every conference Lexington attends, there is a corresponding catalog highlighting the titles on display in their exhibit booth. Those catalogs are also direct mailed to anywhere from 5,000 to 20,000 recipients carefully chosen for relevance based on discipline-specific mailing lists. Lexington publishes quantitative books and qualitative books, left-leaning books and right-leaning books, historical and contemporary titles, theoretical and practical. Lexington Books itself is a division of Rowman and Littlefield Publishing Group.

Potential authors who may be interested in publishing with us, contact Lee Trepanier (ldtrepan at svsu.edu).

Find out more: https://rowman.com/Action/SERIES/LEX/LEXPLF

Beyond the Anglocentric Fantastic

28th-29th May 2020-Glasgow

GIFCon 2020 is a two-day symposium that seeks to examine and honour the heterogeneity of Fantasy and the fantastic beyond Anglonormativity and Anglocentrism. We welcome proposals for papers relating to this theme from researchers and practitioners working in the field of Fantasy and the fantastic across all media, whether within the academy or beyond it. We are particularly interested in submissions from postgraduate and early career researchers. We will also offer creative workshops for those interested in exploring the creative process.

Submission guidelines: https://gifcon.org/gifcon-submission-guidelines/ Find out more at gifcon.org

A phenomenological analysis of Ursula Le Guin’s The Dispossessed.

A new article, “Living in a Marxist Sci-Fi World,” by Lic. Matias Graffigna has just been published. This article examines, with the use of tools from phenomenological analysis, the power of science fiction to “flesh out” certain concepts left undetermined by philosophical theories, “furnishing with content” the undetermined ideas and making them more present and concrete to the reader. The author puts this into practice by examining in this manner the anarcho-communist world of Anarres, as described by Ursula Le Guin in the influential novel The Dispossessed.

Journal of Science Fiction and Philosophy: www.jsfphil.org — 

 The Blue Pill Dilemma: Is Knowledge a Blessing or a Curse?

In the original The Matrix Neo took the Red Pill, choosing Truth – and got himself into a world of trouble. Wouldn’t the Blue Pill (of “Ignorance is Bliss”) have served him better?

In dystopian tales, deep questioning is proscribed to safeguard the (questionable) happiness of the general population. In pre- and post-apocalyptic scenarios scientific knowledge can be savior and culprit, both revered and feared. Brain-in-a-vat stories make the choice between harsh reality and simulated bliss vivid and poignant, while cyberpunk stories emphasize the double-edged character of the “Information Era.” 

The tension in these stories merits examination. Which is preferable? Which is better? Can a truth cause more harm than a lie? Is there a danger of “knowing too much”? Is knowledge just a neutral tool, or is there, as Plato would have it, something inherently good about seeking knowledge?

 The deadline for the second round of reviews is June 1, 2020.

Contact the Editor, Alfredo Mac Laughlin, at editor.jsfphil@gmail.com with any questions, or visit www.jsfphil.org for more information. 

* General Articles, Response Essays, Book Reviews, accepted year-round. See www.jsfphil.org for details *

The Blue Pill Dilemma: Is Knowledge a Blessing or a Curse?

 The question about choosing knowledge or willful ignorance is at least as old as Plato’s Cave; older perhaps, down to the Tree of Good and Evil. Science Fiction writers can be as illuminating as they can be ambiguous. In the original The MatrixNeo took the Red Pill, choosing Truth – and got himself into a world of trouble. Wouldn’t the Blue Pill (of “Ignorance is Bliss”) have served him better?

In dystopian tales, deep questioning is proscribed to safeguard the (questionable) happiness of the general population. In pre- and postapocalyptic scenarios scientific knowledge can be savior and culprit, both revered and feared. Brain-in-a-vat stories make the choice between harsh reality and simulated bliss vivid and poignant, while cyberpunk stories emphasize the double-edged dangers of making all our personal information conveniently available. The tension thus created in these stories merits examination. Which is preferable? Which is better? Can a truth cause more harm than a lie? Is there a danger of knowing too much? Is knowledge just a neutral tool, or is there, as Plato would have it, something inherently good about seeking knowledge?

 The (soft) deadline for the first round of reviews is October 15, 2019.

General Articles, Response Essays, Book Reviews, accepted year-round.

Contact the Editor, Alfredo MacLaughlin, at editor.jsfphil@gmail.com with any questions, or visit www.jsfphil.org for more information.

The votes are in for our 2020 yearly theme: Is Knowledge a Blessing or a Curse? 

Thanks for all who voted to decide the 2020 Yearly Theme for the Journal of Science Fiction and Philosophy. The theme that got the highest number of votes was #5: “Is Knowledge a Blessing or a Curse?” We will be sending a Call for Papers shortly.

For those curious about how the voting went, #5 carried the palm just one vote ahead of #4: “Should we fear artificial intelligence?” and two votes ahead of #1: “Surveillance Capitalism and the New Panopticon.” Curiously, not one person voted for #3: “Technology: Savior or Destroyer?”

As a voter commented, theme #5 to some extent includes all the others. My own preferences aside (#1 was my favorite) it made my heart glad to see that philosophers would choose to focus on the root issues first. (There is room, of course, for all topics in the General Articles section.)

— Alfredo Mac Laughlin, Editor

Journal of Science Fiction and Philosophy

If you haven’t voted yet, help us choose the Journal’s 2020 theme!

What will our next Yearly Theme be?

1. “Surveillance Capitalism” and the New Panopticon. This is a growing concern (and if you haven’t heard the expression, you probably will, soon). I don’t want to define it too narrowly, but it has to do with the online giants wanting to know everything we do—for profit—and us volunteering that information—for convenience. It has been recently explored in Black Mirror, and the oddly ambiguous The Circle, but it was advanced already in the memorable chase scene in Fahrenheit 451.
2. Bioethics in Science Fiction: Addressing genetic technologies, “bio-enhancements,” “moral” enhancements, life-extending technologies, to name a few issues.
3. Technology: Savior or Destroyer? Addressing one of the favorite topics of SF authors since at least Frankenstein. (Of course, this theme is already present in most of the other proposals.)
4. Should We Fear Artificial Intelligence? For this theme we would introduce a constraint: articles should focus only on instances of AI “done right” (or mostly right) in SF. (Most of AI in science fiction is done very “loosey gosey”, as a plot device and to introduce interesting questions about personhood and the value of humanness. But occasionally authors pay closer attention to how computers actually work; my examples would be Clarke’s 2001—the novel—and the recent videogame The Turing Test.)
5. Is Knowledge a Blessing or a Curse? This question may sound strange for philosophers, but some SF stories develop interesting ambiguities in this matter—think of the cycles of self-destruction in A Canticle for Leibowitz, or some questions posed by Star Trek’s “The Cage” and “The Apple.”

These topics incorporate some themes suggested by our contributors (e.g. an issue dedicated to the Canticle for Leibowitz or to the ongoing Westworld series), which are probably too specific at this stage. In the future we would also like to dedicate some issues to particularly important SF authors, but again, this shall wait until we have developed the necessary critical mass.

I look forward to your responses! Just send us an email with your input, (editor.jsfphil atgmail.com) and any additional comments.

Voting will be open until midnight, July 19^th.

— The Editor

Help us choose next year’s theme for the Journal!

Dear Readers and Contributors:

The Journal of Science Fiction and Philosophy has just launched its newest issue! It is presently a small volume, with just a couple of articles; we have some articles under review and in preparation, which will continue populating this issue as they get published. Please take a look at www.jsfphil.org .

One unexpected difficulty we encountered during the preparation of our second volume was that only a small ratio of articles addressed our Yearly Theme, “Social and Political Philosophy in SF.” So we decided to make next year’s Call for Papers a collaborative affair. You will find below a list of prospective themes for the 2020 volume. All authors, reviewers and registered readers are invited to vote! (Although authors may be among the most interested, if you are planning an article that fits any of these themes). If you send us additional ideas, we will include them into next year’s prospective list.

What will our next Yearly Theme be?

1. “Surveillance Capitalism” and the New Panopticon. This is a growing concern (and if you haven’t heard the expression, you probably will, soon). I don’t want to define it too narrowly, but it has to do with the online giants wanting to know everything we do—for profit—and us volunteering that information—for convenience. It has been recently explored in Black Mirror, and the oddly ambiguous The Circle, but it was advanced already in the memorable chase scene in Fahrenheit 451.
2. Bioethics in Science Fiction: Addressing genetic technologies, “bio-enhancements,” “moral” enhancements, life-extending technologies, to name a few issues.
3. Technology: Savior or Destroyer? Addressing one of the favorite topics of SF authors since at least Frankenstein. (Of course, this theme is already present in most of the other proposals.)
4. Should We Fear Artificial Intelligence? For this theme we would introduce a constraint: articles should focus only on instances of AI “done right” (or mostly right) in SF. (Most of AI in science fiction is done very “loosey gosey”, as a plot device and to introduce interesting questions about personhood and the value of humanness. But occasionally authors pay closer attention to how computers actually work; my examples would be Clarke’s 2001—the novel—and the recent videogame The Turing Test.)
5. Is Knowledge a Blessing or a Curse? This question may sound strange for philosophers, but some SF stories develop interesting ambiguities in this matter—think of the cycles of self-destruction in A Canticle for Leibowitz, or some questions posed by Star Trek’s “The Cage” and “The Apple.”

These topics incorporate some themes suggested by our contributors (e.g. an issue dedicated to the Canticle for Leibowitz or to the ongoing Westworld series), which are probably too specific at this stage. In the future we would also like to dedicate some issues to particularly important SF authors, but again, this shall wait until we have developed the necessary critical mass.

Thank you for your interest, and I look forward to your responses! Just send us an email with your input, (editor.jsfphil atgmail.com) and any additional comments.

Voting will be open until midnight, July 19^th.

— The Editor

(A quiz for SF afficionados)

Posted 2018-06-03

Take the “SF Persons” quiz! The characters portrayed here have been chosen because they all have some bearing on philosophical reflections about the notion of personhood. How many can you name?